Showing posts with label writing. Show all posts
Showing posts with label writing. Show all posts
Gabby McMillan is a force to be reckoned with. Successfully marrying her creative spirit with a lucrative writing and editing career, Gabby currently holds a coveted position as staff writer for Weight Watchers magazine, while dabbling in creative writing in her spare time. Aspiring writers, take note: Gabby is an inspiration for those of us who hope to make writing our full-time vocation. You can follow Gabby's career via her lovely blog, which showcases her eloquent prose and sparkling wit, and her uplifting tweets (@gabbymcmillan). Here is Gabby's delightfully unabridged interview with Doorways.
How did you know you wanted to be a writer? Also, please describe your writing trajectory.*
My first piece was published in Pursuit magazine. Seeing my byline in print was spine-tinglingly delightful, so I bragged to friends and flapped copies of the publication in relatives’ faces. Did I mention the piece was a two-sentence book review? And I was in Year 8? And the magazine was about 10 pages long? Still, a girl has to start somewhere.
Fast-forward five years and I ended up knee-deep in a journalism and creative writing degree. Ever the teacher’s pet/gold star student/class geek, I flaunted my writerly wares around Canberra in search of a magazine that would publish an 18-year-old student with no experience (I’d realised my Year 8 byline wasn’t too crash-hot). I began writing for Canberra’s street press title, BMA. It was unbelievable, offering surreal moments like chatting on the phone with Regurgitator in my Ressies room while friends skulled beer bongs in the hallway. By the end of university, I had three years of writing for BMA under my belt – as well as contributions to Lip, Forte, Monitor Online, This Is Writing, All Write and Vive magazine.
After graduation, I nabbed a chief sub-editor job at two Disney tween titles. After two years of subbing features on Zac Efron’s latest haircut, I became the deputy chief sub-editor/health writer at DOLLY (where Zac’s hair still got attention). I also chased freelancing opportunities and was lucky to score commissions from Cosmopolitan and Weight Watchers Online.
A stint as the deputy editor of three parenting titles was a memorable rollercoaster ride. It reminded me of my true passion: writing. So, I moved away from managerial editorial roles in to my current – and more creative – position of Weight Watchers magazine’s staff writer, where I pen stories on everything from nutrition and fitness, to fashion and beauty. Upon seeing my first feature in print, the spine tingles started again.
(The wonderful Australian author Andrew Humphreys, who I was lucky enough to work with, told me successful careers don’t need to be a steep upward climb: they can have many ups and downs. I credit him for bringing me back a notch and encouraging me to do what makes me happy.)
I’m also a passionate creative writer, but I haven’t quite figured out how to balance fulltime magazine writing with working on my short film script, vignettes and novel ideas. I’m sure I’ll master it eventually but until that wonderful day comes, fulltime magazine writing is my priority and creative writing is my playtime.
* I bet you wish you asked for the abridged version. I’ll step off the soap box now, well, in a moment.
What is your writing routine?
It varies. I tend to save a methodical writing routine for my staff writer position – keeping to-do lists, beating deadlines, staying on track etc – while my creative writing is a whirlwind of 6am bursts of inspiration followed by days of nothingness, rounded off with four-hour marathon sessions. (Confession: I can’t write at home without my desk lamp and back pillow but there’s nothing sexy about that, is there?)
What inspires you?
The ridiculous. Walking. Eavesdropping. Fish-out-of-water scenarios. People in my life inspire snippets of stories every day... they just don’t know it yet. I adore meeting new people and finding what makes them tick. Brilliant writing also motivates – and terrifies – me (think: The Book Thief, Arrested Development, Breaking Bad, just to name a few).
What advice do you have for aspiring writers?
My advice is simple: if you want to be a writer, write. Write, damn it, write. Get that pen out, turn on your laptop, use chalk for all I care – just write.
Now, I know it’s harder than it sounds, so allow me to share my creative writing confession: I often get ahead of myself – daydreaming about book tours and my short list of book cover illustrators – before I’ve even typed a sentence in Microsoft Word. Nuts. My best work is done when I stay in the moment, focusing no further than a chapter or two ahead, occasionally jotting down ideas for the ending. Once my brain drifts in to ‘Gabby accepting the Booker Prize’ dream sequences, I’m doomed. It means I’ve let the story get away from me and I’ve projected myself to the (unrealistic) end without enjoying the experience of writing.
My boyfriend, who also dabbles in creating writing, is patient with my mad-woman tendencies. He reminds me to let ‘Gabby the writer’ get the words down first, then let ‘Gabby the sub-editor’ fix them later. Until those words are down, ‘Gabby the sub-editor’ needs to be far away, caged in a basement if necessary. If I let her hang around for too long, she confuses matters with her ‘Is this sentence tight enough?’ and ‘I don’t think the intro works’ feedback. ‘Gabby the sub-editor’ is fantastic to have around for editing, but she’s a pain in the butt if she pokes her nose in beforehand. So, that’s it: write first, edit later. You can’t edit a blank page, folks.
Last but not least: enjoy what you’re writing. Good ol’ Robert Frost (and my boys from Boston Legal) once said ‘No tears in the writer, no tears in the reader’. Translation: If you’re not feeling it, no one else will. Take pleasure in words – they’re cheeky little buggers. Play with them. Show them a good time. Have fun.
I am always a little scared to use the word irony in a sentence. People who know the true meaning of irony seem to get awfully angry – or at least sickeningly patronising – when somebody uses it the wrong way. Poor old Alanis Morissette. So I generally try to avoid it altogether.
Nevertheless, I am feeling a little brave today. Irony, according to the Oxford dictionary, is the expression of one's meaning by using language that normally signifies the opposite, typically for humorous or emphatic effect; a state of affairs or an event that seems deliberately contrary to what one expects and is often wryly amusing as a result; and a literary technique (dramatic or tragic irony), originally used in Greek tragedy, by which the full significance of a character's words or actions is clear to the audience or reader although unknown to the character. I think my situation falls within the realm of the second definition. Maybe. To be honest, I don’t really know.
Anyway, what I was going to say, and please don’t crucify me if I have this wrong, was that isn’t it ironic that the day I sit down to write a post about the nonexistence of writer’s block, I have writer’s block? Well? Is that the correct usage? Hm. Actually, don't tell me. I'm sensitive like that.
My intended denunciation of writer’s block was inspired, in part, by Phillip Pullman’s damning dismissal of it:
Writer's block…a lot of howling nonsense would be avoided if, in every sentence containing the word WRITER, that word was taken out and the word PLUMBER substituted; and the result examined for the sense it makes. Do plumbers get plumber's block? What would you think of a plumber who used that as an excuse not to do any work that day?
The fact is that writing is hard work, and sometimes you don't want to do it, and you can't think of what to write next, and you're fed up with the whole damn business. Do you think plumbers don't feel like that about their work from time to time? Of course there will be days when the stuff is not flowing freely. What you do then is MAKE IT UP. I like the reply of the composer Shostakovich to a student who complained that he couldn't find a theme for his second movement. “Never mind the theme! Just write the movement!” he said.
Writer's block is a condition that affects amateurs and people who aren't serious about writing. So is the opposite, namely inspiration, which amateurs are also very fond of. Putting it another way: a professional writer is someone who writes just as well when they're not inspired as when they are.
He’s not the only one. Cyrese Covelli says: Writer's block doesn't exist...lack of imagination does. Warren Ellis opines: Writer's block? I've heard of this. This is when a writer cannot write, yes? Then that person isn't a writer anymore. I'm sorry, but the job is getting up in the fucking morning and writing for a living. My favourite tweeter Steve Martin jokes: Writers block is a fancy term made up by whiners so they can have an excuse to drink alcohol.
Harsh, yes? I think I needed to hear it, though. "Writer's block" evokes the idea of a kind of ailment; one which is out of the writer's control and can only be overcome with time or, as Pullman says icily, inspiration. I think these writers are right when they say that writer's block is an excuse concocted by failing, depleted wordsmiths, whose self-doubts are quelling their creative spirit. Clearly, it is something that needs to be conquered, if I ever want to succeed as a writer.
As superficial as it may seem, however, I suspect that I would feel a whole lot more inspired to write if I were being paid for my troubles. If writing were, as I hope it one day will be, my vocation. Maybe if I were, if not financially compensated, well-regarded. Honestly, I think it would be enough to be instilled with some sort of confidence that I was on the right path. Some assurance that my efforts are not for nothing; that they are leading somewhere worthwhile.
That is why, I think, aspiring writers tend to be at their best when they are locked inside a little bubble, spurred on by a sudden spark of inspiration that envelopes their being, shielding them from their self-doubts. As much as I write for the love of writing, it often seems fruitless. Which doesn’t make me want to stop writing altogether, but does hinder my completion or commencement of things because, let's face it, it is scary to think that I am expending all my time, energy and passion going about things the wrong way (if there is such a thing). So that is why I continually search for inspiration, trying to look for a sign, attempting to find something unique and brilliant inside of me, which will set me apart from all the rest.
And here I can use the third definition of irony, which is that of a Greek tragedy. I am the character, you are the audience. Reading this, you are all thinking, "So, aspiring writer, here is your problem in a nutshell: You cannot write, because you want to be a writer, and you are not." The solution is, obviously, to write. Argh!
I think the best advice I have ever received is from Susan Maushart, in an interview I conducted for this blog. Her advice for aspiring writers: Write as if it were a job, not a hobby (or it always will be). There it is: the key. Whenever I feel myself becoming paralysed by writer's block, I should place myself under a delusional spell. Imagining that writing is my job. Imagining that I don't have an exam tomorrow or a shift at work in an hour. Imagining that people are reading my writing. Imagining that I am being paid hundreds of dollars to write a column. And maybe one day, my imaginings will come true.
I came across the lovely Laura Greaves just a few months ago, when I read her interview with Sarah Ayoub on Sarah's wonderful writer's blog Wordsmith Lane. Laura's inspiring talent and generous nature shined through her words, which prompted me to reach out to her via email; I will be forever grateful to the kind encouragement she gave me in return. Laura is an accomplished writer, editor and journalist, with over 10 years of experience and multiple awards under her belt. She is currently working as a sought-after freelance writer for such publications as Woman's Day, Good Health and Studio Brides; as well as completing studies in screenwriting and posting on her delightful new blog, which you can find at her website, Laura Greaves. Laura's answers to my interview questions were so comprehensive that there is not much more to say - so enjoy!
Please describe your career trajectory.
I had my first journalism job while I was still at high school in Adelaide: I was a student reporter for News Limited's short-lived South Australian youth newspaper, Y. After finishing high school a year early, I skipped uni and instead landed a three-year journalism cadetship with Adelaide's The Advertiser newspaper. It was such a fantastic grounding in journalism - I covered everything from car crashes and murder trials to sports and business news. I became the paper's first ever dedicated Youth Affairs Reporter and in 2001 was named Australian Young Journalist of the Year for my coverage of young people and youth issues. I also worked as Fashion Editor at the same time! In 2002 I moved to London and worked for Conde Nast magazines, not as a writer but on the production side of things. To be honest, I was awful at it - but it did provide a valuable insight into the 'business end' of putting out a magazine. After that I moved to a major suburban London newspaper as Entertainment Editor, which was a blast - I interviewed some big names, including Jack Nicholson, Reese Witherspoon and Halle Berry... but the real highlight for me was interviewing Matt and Luke Goss from the 80s boy band Bros (my first true loves!) Then I moved to another London paper to launch their entertainment supplement, and also did a load of freelancing for UK magazines and national newspapers including the Daily Mirror. I moved to Sydney in 2007 and briefly worked as a book publicist, then became Deputy Editor of ACP's Slimming & Health magazine. I became Editor a year later, but sadly the magazine closed not long after. That's when I made the leap into full-time freelancing, which I absolutely love.
How did you know you wanted to be a writer?
Without wanting to sound all hoity-toity, writing has always felt like a vocation rather than a career choice for me. I honestly can't recall a time when I wasn't writing and never actually decided to 'become' a writer - it was always just a given. I still have my grade two report card, where my teacher wrote that she thought I'd be suited to a career in journalism (perhaps because I'm so nosy?!). I think that was the first time I understood that it was possible to write stories for a living and from that moment I was set on being a journo. I do remember, in my teens, briefly flirting with the idea of becoming an occupational therapist (!) and my dad telling me not to be so silly - that I was a writer and that's all there was to it! (Thanks dad!)
What is your writing routine?
For whatever reason, I write best in the afternoons so I use the mornings for 'admin' stuff - going running, walking the dog, errands, emails etc - and then chain myself to my desk from about 1pm to 7pm. (Of course, this changes when I have a lot of deadlines!) I also do the odd bit of in-house sub-editing work, so occasionally I may find myself commuting like the rest of the world! At the moment I'm in the process of restructuring the way I work. I'm also studying screenwriting part time and found that juggling my film school workload with my 'proper' work left me feeling a bit creatively adrift. So I'm now trying to condense my freelance work into three days per week so that I can have two days to work on screenplays, novels, paintings... whatever takes my fancy, really! I feel that when you do a creative thing for a living, it can actually suck a lot of the creativity out of it - so it's important to make time to let your imagination loose!
What do you read?
I don't seem to have a lot of time to read proper books these days (unless I'm on holiday!), but I adore biographies of interesting and inspiring people and I've recently been rediscovering some of the all-time classic novels. My absolute favourite books are Anne of Green Gables and Jane Eyre; I read them over and over and discover something new every time. I'm also a total magazine junkie: I love WHO, Real Living and Shop Til You Drop (I'd love my mag list to include some more high-brow titles, but it's just not going to happen!) There's also several blogs I check out daily, including Erica Bartle's Girl With a Satchel and Sarah Ayoub's Wordsmith Lane. Another favourite is my genius interior designer friend Ange's Wicker & Stitch (http://wickerandstitch.blogspot.com) and a whole host of vintage clothing blogs. And of course I have my own blog at www.lauragreaves.com!
Which writer do you most admire and why?
Wow. Great question! I honestly don't think I could choose just one. There are so many fab freelancers in Australia, I wouldn't even know where to begin! In terms of novelists, I think the UK writer Dorothy Koomson (www.dorothykoomson.co.uk) is fantastic - she's a working journalist but somehow finds time to write very readable, incredibly moving stories about love, friendship etc... all those important things. But I would have to say my all-time writing hero is Tina Fey. She's a brilliantly sharp and funny writer and is able to turn her hand to seemingly anything. I kind of want to be her!
What inspires you?
Goodness, where to begin?! In no particular order... sunny days, great TV (every time I watch Mad Men or Love My Way, I'm literally breathless with how amazing the writing is!), my dog, terrible 80s music, stories of triumph against the odds, my go-getting friends, travel, sleep, my lovely husband, running, my frighteningly clever eight-year-old god-daughter, people who live their dreams, New York City.
What do you love about being a writer?
I love that it allows me to meet people whose paths I may otherwise never cross. Recently, for example, I interviewed a Melbourne-based mother of four who is living with depression and serious illness and has to deal with a hell of a lot just to get out of bed every morning. She was so positive and matter-of-fact and inspiring that after our chat I felt like I could do anything. There's no way I would have had the opportunity to meet her had I not been writing a feature on living with mental illness. I love that! And what I particularly love about being a freelance writer and working from home is that it gives me the ability to stop and smell the roses occasionally!
What advice do you have for aspiring writers?
It may sound obvious but WRITE! So many would-be writers think about writing and talk about writing and set themselves arbitrary deadlines - eg 'I will write a chapter of my novel every month for a year' - but don't actually get down to the business of putting pen to paper. I speak from experience, because I am an all-star procrastinator! But I guarantee that once you sit down and start scribbling - even if you're just writing about what you did yesterday - the words will start to flow and you'll wonder why you ever put it off. There's a writing quote that I love: 'Q: How do I get published? A: Write a great book'. The same can be said of freelance journalism - you'll never see your name in print if you don't just sit down and do it. I think blogging is a great way to start - it gets you in the habit of writing something every day. Force yourself if you have to, but make sure you get those words on that page!
Novelist Jennifer Weiner's tips for aspiring writers, in a neat 10 step life-plan. Wonderful advice!
Similarly, a 7 step plan for aspiring journalists, by successful freelance journalist (among other things!) Adam Westbrook.
A sparkling piece of investigative photojournalism.
Literary legend Kurt Vonnegut dispenses advice to young writers. (His primary piece of advice: don't use semicolons. Oops.)
If you are a writer, you almost definitely spend a great deal of time procrastinating. This brilliant New Yorker article provides some insight into why we procrastinate and how to overcome it.
(Photo via Clare Owen Illustration)
Photo courtesy of Tammy Law (All Rights Reserved)
Benjamin Law's byline first caught my eye when I came across "Bogan or Gay?" in frankie magazine. It was hysterically funny, and I proceeded to read it aloud to every member of my family, who all loved it just as much as I did. Ever since, I have flicked straight to Ben's articles every time frankie arrives in my mailbox - they never fail to make me laugh, cry and think. His quietly provocative articles for The Monthly (particularly Saving Yourself and A Gay Old Time) are also wonderful and his debut book The Family Law, a refreshingly candid, side-splitting anthology of stories about his wonderfully eccentric (yet touchingly relatable) family, is brilliant.
Please describe your career trajectory.
I've always loved reading and wrote stupid stories as a kid. But I probably first got into magazine writing properly when I wrote the Letter of the Month at Rolling Stone as a 16-year-old. The editor sent me a Panasonic stereo for my troubles. (It’s the stereo I still use to this day.) I’m idiotically proud of the fact my first byline was a paid one — if you count stereos as payment. From there, I did a creative writing degree and started writing for every magazine that would take me on.
How did you know you wanted to be a writer?
I'm not sure if was actually a life ambition from the start. But I do remember reading an article in Rolling Stone as a teenager that blew my mind, called The True Story of John/Joan. It was one of the longest stories I'd ever read in the magazine, and looked at a true life case of twin boys in the US where one had a botched circumcision. Scientists effectively tried to make that boy into a girl, and the resulting life story just defied belief. It was probably the first non-fiction I'd read that read like a gripping novel. That got me thinking about the stuff I'd want to write about.
What is your writing routine?
Up until recently, my routine was pretty ad-hoc. My boyfriend produces radio for the ABC and gets out of bed at 3.30am. So out of guilt, my schedule used to run like clockwork: wake up at 6.30am; roll out of bed; green tea; check email; read news; shower; housework; writing/interviewing/editing by 9am. Swim laps; dinner; write some more; sleep. But now, because my research has taken me overseas, I've had to adjust to writing on the road, in airport terminals, in bed — whenever. The concept of routine has pretty much been stolen from me now.
What do you read?
Everything I can get my hands on. Regularly, I read magazines like The New Yorker, GQ (US version), Details, Time, National Geographic and Butt, which is this terrific Dutch gay magazine. Every day, I trawl through Australian, UK and American news websites, and also a fantastic queer news portal called Towleroad. And I'm always reading book, whether it's fiction or non-fiction.
Which writer do you most admire and why?
There are way too many. David Sedaris, obviously — he's a genius and one of the funniest people alive. I adore Jonathan Franzen and Zadie Smith, and the way they both write about people and families in their fiction. Chris Heath and Susan Orlean are two American non-fiction writers who I think are wonderful, and closer to home, people like Chloe Hooper, Helen Garner and Anna Krien do it for me.
What inspires you?
People. I just think people are super interesting.
What do you love about being a writer?
It's great being a writer if you have a short ADHD attention span like me. Every new story is literally a new job; it's impossible for me to get bored.
What are you working on at the moment?
Right now, I'm in Tokyo where I'm doing research on queer celebrity culture, especially on TV here. It's part of a bigger travel adventure book that looks at queer people throughout the Asian continent. Earlier in the year, I was in Thailand going backstage with the nation's biggest ladyboy competition, and in China looking at how young gays and lesbians connect on the internet, in a country where the internet is heavily moderated.
How important do you think it is for writers to have a unique, recognisable voice, even when they are writing for publications?
It really depends on the publication you're writing for. I've been with frankie magazine since its second issue, and both Louise (founding editor) and Jo (current editor) both really encourage their writers to present themselves as a character. As a result, it's probably one of the few magazines out there where readers pay attention to the bylines and flick immediately to their favourite writer, whether it's Marieke Hardy or Justin Heazlewood or Daniel Evans. As writers, that's really gratifying.
Do you tweak your writing process or mindset when you are writing journalistic pieces for The Monthly, as opposed to your irreverent (often quietly heartfelt) musings in frankie?
All the different magazines I write for demand different things. The Monthly is usually a bit more involved and I invest more time into research and interviews, whereas frankie is often about making sure things are as funny as possible, but super-focused on a theme since the stories are usually capped at 650 words.
What advice do you have for aspiring writers?
Read anything you can get your hands on. Be curious about everything and everyone around you. And then, finally, take notes.
There is something demoralising about openly identifying yourself as an aspiring writer. It is a little humiliating, in all honesty. "Aspiring" indicates falling short of reaching dream, attracting questions about talent or drive. "Writer" is often perceived as dreamy, silly, unattainable, impractical. In constantly striving to prove yourself, trying to convince others that you do have talent and you will succeed, it is easy to get mired in the rejection, disappointment and silence. The question is: how can we overcome the low points to achieve the high ones?
I have figured out a system of my own. Of course, it may not work for you, but I'd like to think that it is a one-size-fits-all kind of thing. I call it planting seeds. Put simply, it consists of maintaining a continuous cycle of sowing future opportunities for myself - the idea being that I will always be spurred by the unremitting hope that my next opportunity could be just around the corner.
The seeds can take any form, big or small. Pitching to magazines. A request for an interview. An email to a writer I admire. A new blog post. A comment on someone else's blog. An offer to do a guest post. Reaching out to a fellow aspiring writer. A synopsis to an agent. A tweet. Buying a book on the Book Depository. An article to an editor. The list goes on.
Of course, the nature of the game is that not all of these ventures will be fruitful. In fact, most of them won't amount to anything. Some may offer hope, only to be dashed. Some may involve a long, drawn out, excruciating wait, only to fade into nothing. Some may be met with resounding silence. But that's okay. Because every so often, there will be a flower waiting for me. One which instills my confidence and validates my dream, gently setting me back onto my writing path. Like the time one of my favorite writers endorsed my blog. Or when a prominent book agent encouraged me to send her my manuscript. Or when a beauty writer I admire invited me to do a guest post on one of my favourite sites. Or when some of my most beloved writers agreed to be interviewed for this blog. Or all of the amazing messages of support I receive from my friends and the people who read my writing. All of these things are incredibly uplifting, and often surface at the most opportune times. Which helps to give me the strength to go on, and not give up.
I'd be dishonest if I didn't divulge the disappointments I have faced. The numerous articles I have submitted to my favorite magazine to no reply. Or a magazine editor telling me that she would love me to write for her but never responding to my follow-up phone calls or emails (carefully spaced to minimise annoyance, of course). Or when a piece I had spent weeks writing went completely unnoticed on my blog. Or the multitude of correspondence which has been ignored, sometimes by my idols. These hiccups may seem small and petty but, as much as it pains me to admit, they are met with a jolt of devastation. We would all like to think that we are special - that one day, somebody will recognise our unique talent and give us our big break. But sometimes it's not luck or birthright that builds our success. It's perseverance. Practice. The art of failing - falling flat on our faces and dusting ourselves off, getting right back up and running straight toward the brick wall again. Because, one day, it may magically transform into an open door. (You know, like Platform Nine-and-Three-Quarters.)
So, in conclusion: plant seeds. No matter how few of them blossom, keep going. Persevere. As long as we do, we can nurture the hope of achieving our goals. The second we lapse, we expose our hearts to self-doubt and fear, hindering ourselves. The truth is, all the strength and endurance we need can be sourced from the dream itself, as long as we are clear enough about it. Published articles, a newspaper cadetship, an internship at a magazine, novels... whatever our aspiration, it can only be ours if we don't give up. And so it is the promise of the next flower, just within our grasp, that keeps us moving and climbing to reach the top of the mountain. Until we reach the beautiful garden of our dreams.
(Picture via Pearled)
Ira Glass talks about the building blocks of a great story, how to find a story, good taste and common pitfalls: Part 1, Part 2, Part 3 and Part 4. Thank you to Benjamin Law (@mrbenjaminlaw) for the link.
A great New York Times article about quirky niche web site The Awl. (An awl is a pointy tool used to make marks on wood, in case you were interested.) As Carr notes: "If you were going to assemble a business plan for a Web site, you would look closely at everything The Awl (theawl.com) did and then head in precisely the opposite direction". Nevertheless, against all odds, the "little digital boutique" has found an audience of half a million, purely by embracing idiosyncrasy and creating "the kind of site that people we know would like to read". Coincidentally, one of my favourite article on writing, Seven Years as a Freelance Writer, or How to Make Vitamin Soup, originated on The Awl.
A brilliant piece by one of my favourite Australian journalists, Annabel Crabb, who made this speech at Melbourne University on Wednesday. She talks about the difficulties facing journalists today (namely, that people no longer want to pay for quality content), the importance of human contact and the unique opportunity for young writers to be rewarded for their talent, imagination and intrepidity within the new media paradigm.
In light of my daily rituals post, this free eBook by Zen Habits writer/blogger Leo Babauta may be useful. It is about "finding simplicity in the Age of Distraction; finding the focus you need to create, to work on what’s important, to reflect, to find peace". Thank you to Rachel Hills (Musings of an Inappropriate Woman) for the link.
Always on the Side of the Egg | Hareetz | Haruki Murakami
Last year, Haruki Murakami was awarded the Jerusalem literary prize for the Freedom of the Individual in Society. Pro-Palestinian groups attempted to dissuade him from attending the ceremony, claiming that doing so would demonstrate his support for Israel's role in the Gaza conflict. Murakami considered their argument, but ultimately decided to accept his prize in person. His beautifully moving speech explains why he made that decision and the underlying message he wishes to convey through his novels.
(Picture via Memi the Rainbow)
Last year, Haruki Murakami was awarded the Jerusalem literary prize for the Freedom of the Individual in Society. Pro-Palestinian groups attempted to dissuade him from attending the ceremony, claiming that doing so would demonstrate his support for Israel's role in the Gaza conflict. Murakami considered their argument, but ultimately decided to accept his prize in person. His beautifully moving speech explains why he made that decision and the underlying message he wishes to convey through his novels.
(Picture via Memi the Rainbow)
I have a Saturday morning ritual. I wake up, make myself a cup of tea (T2's French Earl Grey is a current favourite) and ravenously devour The Weekend Australian Magazine, front-to-back, back-to-front and side-to-side. Without a doubt, it is one of my most beloved Australian publications, along with frankie and The Monthly, never failing to satisfy with its cutting-edge, high calibre feature articles by such journalistic greats as Caroline Overington and Richard Guilliatt (speaking of whom, Guilliatt's latest, Justice in Black and White, is a brilliant read) and ever-thoughtful, ever-pertinent opinion columns by Philip Adams, Ruth Ostrow and, my favourite, Dr Susan Maushart. So you can imagine how pleased I was when Susan so generously granted me a lovely interview, especially for this blog.
Susan has been a columnist at The Weekend Australian Magazine for over a decade. She also holds a PhD in Media Ecology from New York University, has written five award-winning, best-selling books (the latest, The Winter of Our Discontent, will undoubtedly speak volumes for young social media addicts like me), hosts Multiple Choice on ABC radio and is a Visiting Fellow at the Institute of Advanced Studies at UWA. Susan writes about feminism, technology, Australian culture, motherhood and marriage, among countless other topics pertaining to the tricky navigation the modern world, from a fresh, female perspective. For those of you unfamiliar with Susan's work, some of my favourite of her recent columns include It's a Visionary Thing, Green Haze, Rose-Tinted Bifocals and Boys Will Be Girls (the latter even features my "genial" former high school principal). As you will be able to tell from reading her interview, Susan has a warm, engaging writing style that is easily identifiable and always entertaining.
How did you know you wanted to be a writer?
I remember writing a passionate declaration of my intention when I was 12. How I wish I could see that now. But I didn’t really do much about it til I found myself a single mother with three kids under five. I made a leap of faith out of academia, and the safety of imminent tenure, to try my luck as a freelance writer. And it turned out I was lucky.
What is your writing routine?
When I am writing a book, it’s every day from 8 am til I reach 1000-3000 acceptable words. (It’s a sliding scale based on how close to deadline I am!)
What do you read?
Lots of stuff online; The New Yorker, religiously; I love science writing – currently reading a book about parasites by evolutionary biologist Marlene Zuk - and read across a wide range of journals; impatiently awaiting my copy of Franzen’s Freedom at the moment … like to revisit classics and keep up with literary fiction.
Which writer do you most admire and why?
I always say (because it’s true) that Walden is my favourite book, because it is like a well that, no matter how buckets you draw from it, never runs dry. The contemporary author whose books I get most excited about is probably Anne Tyler, for her humour, humanity and utter lack of hubris.
What inspires you?
Lots of stuff. My kids. My reading. Animals. Photos. Eavesdropping. WNYC. Hunger …
What do you love about being a writer?
Freedom. I have enormous freedom - intellectually, creatively, organizationally, even geographically - as a writer. I treasure that.
Do you have an over-arching message that you would like to communicate through your writing?
I see myself as a critic. I am always working to get underneath. And if I believe passionately in anything – and these days being passionate is de rigeur … - it is in fallibility: my own included.
What are you working on at the moment?
I have three book ideas jostling for attention right now – one about home, one about hair, and one about reading.
What are your writing goals for the future?
To keep making a living at doing work that engages me and speaks to others.
What advice do you have for aspiring writers?
Read like nobody’s watching (‘cause they’re not). Write as if it were a job, not a hobby (or it always will be).
If you have ever read my personal blog, Life.Beauty.Laughter., you will know that I have a little writing crush on Sarah Wilson. I just think she is wonderful. So it should not come as a surprise that this post is inspired by one that Sarah wrote a while ago, about perving on other people’s daily rituals.
Sarah is big on routines, especially in the mornings. I would love to have one of my own, but I have lapsed so many times. I think it is a combination of being whimsy, flighty and lazy. My daily activities fluctuate according to my moods, sleep patterns and ensuing deadlines. Still, I am enamoured with the idea of a routine, one which will instil my life with some much-needed balance, focus and peace of mind.
Daily rituals seem to be common amongst writers and deep thinkers, both of which I hope to be one day. Some of my favourites include:
Toni Morrison. Writer Toni Morrison describes not only her daily routine, but the importance of rituals to writers. Morrison describes her own ritual involving making a cup of coffee and watching the light come into the day. Her habit of rising early was first formed as the mother to three children, but after her children left home, she discovered a routine of her own–that still includes early mornings. Morrison urges all writers to look at what time of day they are most productive and what type of surrounding is most conducive to their work to help form rituals that will promote creativity.
Simone de Beauvoir. French writer and lifelong companion to Jean-Paul Sartre, Simone de Beauvoir reported that she got bored if she didn’t work and tried to work every day except the few months she would take off to travel. While writing, she woke with tea, then began her work around 10:00. She would work until 1:00, then have lunch and socialize with friends. At 5:00, she would resume working, usually at Sartre’s apartment, until she would stop for the day at 9:00.
Haruki Murakami. This popular Japanese novelist sticks to a specific daily schedule that begins at 4:00 when he awakes. He writes for five or six hours, then either runs 10k or swims 1500 meters (or sometimes, both). After his workout, he reads and listens to music until he goes to bed at 9:00. Murakami claims that writing a novel requires both the physical and mental strength that his routine provides.
Those of you who read my blog will also know that I adore Haruki Murakami. I am currently reading his memoir, What I Talk About When I Talk About Running, an exploration of the way his vigorous exercise regime has sharpened his writing talent by providing him with focus and endurance, both of which Haruki identifies as essential characteristics of a novelist (along with, of course, talent). The process of writing a novel, Haruki explains, is like digging a deep hole.
I have to pound the rock with a chisel and dig a deep hole before I can locate the source of creativity... The whole process – sitting at your desk, focusing your mind like a laser beam, imagining something out of a blank horizon, creating a story, selecting the right words, one by one, keeping the whole flow of the story on track – requires far more energy, over a long period, than most people ever imagine.
Reading his memoir, I can see that it is Haruki’s strength, maturity and grounded sense of self that makes his writing so deep and magical; he is, undoubtedly, one of my writing idols, and I would be beyond thrilled if, one day, I could write with a single ounce of his elegance and profundity. At 21-years-old, I don’t feel as though I will be able to emulate Haruki’s wisdom anytime soon. I do think, however, that a lovely daily routine, one like those espoused by Sarah, will help me to cultivate my writing skills. A routine which suits me to the core, fills my heart and brings me joy. One that instils a sense of calm and provides me with the strength to dig the deep hole Haruki speaks of. For, when we waste time and energy worrying about pointless things like what to have for breakfast and where we left our car-keys, it is difficult to find the focus and endurance needed to ponder the mystery of life; and even more impossible to solve it.
(Picture via M Dash)
(Picture via M Dash)
| Pietro Rotari, Young Girl Writing a Love Letter, 1755 |
There is nothing like sitting down to immerse yourself in that euphoric zone of writing. There is so much enjoyment in seeing words that come into your mind flow effortlessly onto the page. The incredible feeling when you look back and think, how on earth was it that I came to write that? Followed by a rush of pride and achievement.
This brings to me a realisation I had recently that, when writing, it is feeling that guides us. How do we feel about this sentence or that sentence? What will the writer think of this? How will the person we are writing about feel? Will the reader be evoked to feel inspired, happy, angry, excited, annoyed or elated? It can take one line in an article that can ruin a person's career or make them feel horrible. Yet, on the other hand, it can make them feel the happiest, most proud that they have ever felt in their life.
Feelings, feelings, feelings - they are the essence of writing.
I had this revelation at work the other day. I am currently in the television show sales industry and, luckily, someone was interested in buying some shows in a country far, far away. Making this deal happen was like a problem solving activity. We had to figure out prices, how much we could offer the programs for, how long they can screen the shows for and if the shows were available to be brought in that country due to licencing laws. If that sounds boring and complex to you - you are right, it was.
While doing this, the thought crossed my mind that if I was working in a newspaper at that moment, I wouldn't have been feeling the onset of a headache from a problem solving activity. I would have been deciding on words that I 'felt' were appropriate in an article or choosing a photo to go with an article that I 'felt' looked right. Basically, I would have been thinking with my heart.
To be honest with you, the country potentially buying was actually The Democratic Republic of Congo in Africa - believe it or not! It is the world's poorest country. Since then, I've had many discussions with my boss on the deal and I keep mentioning to her with a sad 'feeling' in my gut that they are literally the world's poorest country. Yet she is quick to remind me not to think about that and just focus on the deal to get the money out of them.
But I can't help but strongly feel this sad longing to go back to using my feelings in my every day life instead of the mundaneness of figures, formulas and money-hungry facts...
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