Daily Rituals

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If you have ever read my personal blog, Life.Beauty.Laughter., you will know that I have a little writing crush on Sarah Wilson. I just think she is wonderful. So it should not come as a surprise that this post is inspired by one that Sarah wrote a while ago, about perving on other people’s daily rituals.

Sarah is big on routines, especially in the mornings. I would love to have one of my own, but I have lapsed so many times. I think it is a combination of being whimsy, flighty and lazy. My daily activities fluctuate according to my moods, sleep patterns and ensuing deadlines. Still, I am enamoured with the idea of a routine, one which will instil my life with some much-needed balance,  focus and peace of mind.

Daily rituals seem to be common amongst writers and deep thinkers, both of which I hope to be one day. Some of my favourites include:

Toni Morrison. Writer Toni Morrison describes not only her daily routine, but the importance of rituals to writers. Morrison describes her own ritual involving making a cup of coffee and watching the light come into the day. Her habit of rising early was first formed as the mother to three children, but after her children left home, she discovered a routine of her own–that still includes early mornings. Morrison urges all writers to look at what time of day they are most productive and what type of surrounding is most conducive to their work to help form rituals that will promote creativity.
Simone de Beauvoir. French writer and lifelong companion to Jean-Paul Sartre, Simone de Beauvoir reported that she got bored if she didn’t work and tried to work every day except the few months she would take off to travel. While writing, she woke with tea, then began her work around 10:00. She would work until 1:00, then have lunch and socialize with friends. At 5:00, she would resume working, usually at Sartre’s apartment, until she would stop for the day at 9:00.
Haruki Murakami. This popular Japanese novelist sticks to a specific daily schedule that begins at 4:00 when he awakes. He writes for five or six hours, then either runs 10k or swims 1500 meters (or sometimes, both). After his workout, he reads and listens to music until he goes to bed at 9:00. Murakami claims that writing a novel requires both the physical and mental strength that his routine provides.

Those of you who read my blog will also know that I adore Haruki Murakami. I am currently reading his memoir, What I Talk About When I Talk About Running, an exploration of the way his vigorous exercise regime has sharpened his writing talent by providing him with focus and endurance, both of which Haruki identifies as essential characteristics of a novelist (along with, of course, talent). The process of writing a novel, Haruki explains, is like digging a deep hole.

I have to pound the rock with a chisel and dig a deep hole before I can locate the source of creativity... The whole process – sitting at your desk, focusing your mind like a laser beam, imagining something out of a blank horizon, creating a story, selecting the right words, one by one, keeping the whole flow of the story on track – requires far more energy, over a long period, than most people ever imagine.

Reading his memoir, I can see that it is Haruki’s strength, maturity and grounded sense of self that makes his writing so deep and magical; he is, undoubtedly, one of my writing idols, and I would be beyond thrilled if, one day, I could write with a single ounce of his elegance and profundity. At 21-years-old, I don’t feel as though I will be able to emulate Haruki’s wisdom anytime soon. I do think, however, that a lovely daily routine, one like those espoused by Sarah, will help me to cultivate my writing skills. A routine which suits me to the core, fills my heart and brings me joy. One that instils a sense of calm and provides me with the strength to dig the deep hole Haruki speaks of. For, when we waste time and energy worrying about pointless things like what to have for breakfast and where we left our car-keys, it is difficult to find the focus and endurance needed to ponder the mystery of life; and even more impossible to solve it. 


(Picture via M Dash)

October 25: Events and Opportunities

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This is our second week of Events and Opportunities.

This post is a weekly series that shares various events and opportunities available in the writing and journalism industry. Events includes anything from seminars, talks and festivals to book launches; while opportunities encompass trainee or graduate jobs, courses, internships and work experience. 

If you have an event or opportunity that you believe will be beneficial to young people who love to journalism and writing, please don't hesitate to contact us.

Please rest assured that there is no conflict of interest; all of these suggestions are made independently.

Australia Wide

As it is getting towards the end of the year, many young people are deciding what course they might like to do while others could be contemplating a change in course to journalism.
This link here is from the Jschool website that ranks the top 24 places to study journalism from 2008. Hopefully it may gives those stuck for ideas on where to study journalism a better picture of what is out there.  
Sydney

Many people often wonder how they can get work experience at magazine. If you are interested in getting in contact with the people at Cosmopolitan magazine to find out details about the work experience, all the information is here. They are booked our months in ahead but good for those who can wait months in advance. You could also ask if they have had any cancellations of work experience people at closer dates.

Sydney
Sunday 7 November 2010, 10am - 6pm

A fantastic opportunity to  network with fellow writers is the Emerging Writers Festival Roadshow. The festival will present a series of panels and discussions about writing, writers and the literary life. There are practical sessions such as The Pitch - offering no-holds-barred advice about the art of pitching your work to editors, publishers and agents. There will also be a Creative Writing Bootcamp, where you can put pen to paper in one frantic hour of writing. You can find out about the roadshow here.

The Feeling of Writing

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rotari_love_letter.jpg image by diane_kepler
Pietro Rotari, Young Girl Writing a Love Letter, 1755
There is nothing like sitting down to immerse yourself in that euphoric zone of writing. There is so much enjoyment in seeing words that come into your mind flow effortlessly onto the page. The incredible feeling when you look back and think, how on earth was it that I came to write that? Followed by a rush of pride and achievement.

This brings to me a realisation I had recently that, when writing, it is feeling that guides us. How do we feel about this sentence or that sentence? What will the writer think of this? How will the person we are writing about feel? Will the reader be evoked to feel inspired, happy, angry, excited, annoyed or elated? It can take one line in an article that can ruin a person's career or make them feel horrible. Yet, on the other hand, it can make them feel the happiest, most proud that they have ever felt in their life.

Feelings, feelings, feelings - they are the essence of writing.

I had this revelation at work the other day. I am currently in the television show sales industry and, luckily, someone was interested in buying some shows in a country far, far away. Making this deal happen was like a problem solving activity. We had to figure out prices, how much we could offer the programs for, how long they can screen the shows for and if the shows were available to be brought in that country due to licencing laws. If that sounds boring and complex to you - you are right, it was.

While doing this, the thought crossed my mind that if I was working in a newspaper at that moment, I wouldn't have been feeling the onset of a headache from a problem solving activity. I would have been deciding on words that I 'felt' were appropriate in an article or choosing a photo to go with an article that I 'felt' looked right. Basically, I would have been thinking with my heart. 

To be honest with you, the country potentially buying was actually The Democratic Republic of Congo in Africa - believe it or not! It is the world's poorest country. Since then, I've had many discussions with my boss on the deal and I keep mentioning to her with a sad 'feeling' in my gut that they are literally the world's poorest country. Yet she is quick to remind me not to think about that and just focus on the deal to get the money out of them.

But I can't help but strongly feel this sad longing to go back to using my feelings in my every day life instead of the mundaneness of figures, formulas and money-hungry facts...

October 22: Weekly Wrap-Up

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Welcome to the first Weekly Wrap-up, where we will share links to articles, blog posts, interviews and more,  which relate to all things writing, journalism, media and creativity.


The Journalists Formerly Known as the Media: My Advice to the Next Generation | Jay Rosen
An adapted and expanded version of a speech given by Jay Rosen (writer, critic and professor at New York University) to the incoming class at Sciences Po école du journalisme in Paris, September 2, 2010. According to Jay, the media world is experiencing a great shift: "People are connected horizontally to one another as effectively as they are connected up to Big Media; and they have the powers of production in their hands". This change entails a new approach to journalism, which Jay explains in 10 concise steps, all boiling down to the fact that journalists, formally known as the media, must start "seeing people as public, empowered to make media themselves".


Ex Nihilo Nihil Fit | Robert Mankoff
A wonderful blog post from The New Yorker cartoonist Robert Mankoff, describing (with pictures!) how he generates ideas. Ex nihilo nihil fit translates to nothing comes from nothing; so, the more ideas and associations we have stocked in our mind, the more likely it is that they will come our way. Thank you to Nicole Haddow (@nicolehaddow) for the link.

A lovely blog post from artist and freelance writer Becky Hunter, who assures us "there is always, always time to take a break". Thank you to Emma Krieger (@emmakrieger) for the link. 


Caroline Overington: A Heartbreaking, Important Interview | Mia Freedman
On a more sombre note, Mia Freedman's moving video interview with one of Australia's finest journalists, Caroline Overington, is unmissable. Caroline and Mia discuss a feature article Caroline wrote for The Weekend Australian, which was published in May, asking the question of whether parents who murder their children are insane or evil. You can read it here. Caroline's work reminds us how important it is for journalists to bring such excruciating, yet incredibly important, issues to light and examine them, from all angles, with compassion and rationality. 

This piece does not have anything to do with the writing profession itself, nor is it an example of particularly elegant prose. I have included it here because, if you are anything like me, you have a heartfelt desire to connect with the human spirit, in all its forms. This raw account of prison life - my version of hell, as I'm sure it is yours - is gruesome and confronting but, nevertheless, valuable, not only from an anthropological point of view but also an empathetic one. Thank you to Natalie Perkins (@definatalie) for the link.


We hope you find these pieces enjoyable, valuable and/or interesting. Please contact us if you have any suggestions for next week's Weekly Wrap-Up. Have a wonderful weekend!

2010 Walkley Photographic Finalists

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Sometimes, words are just not enough to convey the truth and emotion of a story or situation. There is something magical about a photograph that effortlessly draws us into another world, immersing us in another time and place. Photographers can take hundreds of shots, searching for that perfect one; or, it can be a split second moment where they grab their camera and take they best shot they have ever seen. These incredible photographs are by some of the finest newspaper photographers in Australia. Here are a selection of our favourite 2010 Walkley photographic finalists. Each of them had a powerful impact upon us, at first glance. For the full set of winners, click here.


Potosi. Young miner Nelson Ortuga, 14, falls asleep as he waits for the bus to take him back to the mines. He will finish his double shift at 6am. By Lisa Wiltse.

"Amanada and Zed". Amanda Perry and 13 year-old Zed were photographed in a waiting room as part of a feature story on country vets. The quiet bonding and nervous wait is familiar to pet owners everywhere. By Brendan McCarthy.


"Jessica". 'General News'. Australian sailor Jessica Watson, unofficially hailed as the youngest individual to sail unassisted around the world, battles huge seas 60 miles off Sydney on the second last day of her 210-day journey. By Brett Costello.

"Man vs. Wild". 'Spot news' A massive wave exploding on Ben Buckler point at North Bondi appears about to engulf a brave/foolhardy thrill seeker. By Bob Barker.

"Minds in Chains". A patient at the Yayasan Galuh Centre in Bekasi outside Jakarta. There is no medical treatment here: just potions, massage and prayer. Many of the patients are nude and nearly half of them are chained to poles.By Jason South.


Photo Source: The Walkley Foundation

Interview: Louisa Deasey, Writer

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I recently came across Louisa Deasey's memoir, Love and Other U-Turns, and immediately fell in head over heels in love, not only with Louisa's beautiful writing style, but also Louisa herself. Her first book recounts the true story of her impromptu love affair with Jim, a nomadic comedian, and their unconventional life together, traveling through the Australian outback and meeting a multitude of wild and wacky characters; all the while, Louisa is trying to build a successful freelance writing business and preserve her sanity. The story really touched me for a number of reasons: the effortless yet complicated love dynamic between Louisa and Jim, the exploration of largely unheard of places all over Australia, the burgeoning of Louisa's dream writing career and the revelation that happiness and fulfillment does not reply upon building a stable home or acquiring pretty things. 

Thankfully, the real-life Louisa is just as charming as she appears in her book and she generously agreed to answer some questions for us; about writing, her inspirations and what life lessons she has learned along the way. 


Please describe your career trajectory.
As haphazard as the trip with Jim! About ten years of waitressing, lots of writing, lots of editing, two degrees (on in English Literature, one in Professional Writing and Editing), a brief stint on a daily newspaper, many stints on magazines, and finally, enough freelance work that I could avoid fluorescent lighting and cubicles.

What do you love about being a writer?
Writing helps me make sense of my thoughts and explore all the threads that make up an idea or a problem. It’s also what makes me feel free. It helps me understand myself and the world better, to see patterns in things, and to know what/why I think certain things…!

What are you working on at the moment?
I just finished a three month contract on some newspapers in far north Queensland, and I’m returning to Melbourne to do a bit of freelancing but mainly to work on a new book. I really want to write fiction this time.

How did the experiences you write about in your memoir change your long-term lifestyle choices for the better? Do you think those changes have had a positive effect upon your writing?
Yes, I think once you’ve stretched your boundaries you can never go back, and any experience which helps you know yourself better is going to help you write better. Also, seeing more of the world, and experiencing everything, every colour of the rainbow spectrum, helps you develop empathy as a writer, and like with any kind of art, you want to convey that you understand the human condition. So all the people I met with Jim, and all the wild and wacky experiences I’ve had since then have helped me be more empathetic towards myself and others. He also showed me how useless a lot of the exterior stuff is, and when I’m grounded in myself and my intentions, then it doesn’t really matter what I look like or where I am, I can be happy and successful in any situation.

Did you tweak your writing process or mindset when you were writing your memoir, as opposed to your freelance work?
Yes, it’s like right and left sides of the brain! I went a bit mad pumping out my first draft. I didn’t leave my flat for 5 weeks, I wrote through the night, and I dreamt things I thought happened and did things I thought were dreams. My brother came over one day and it was Tuesday and I thought it was Saturday! Richard Flanagan says his wife confiscates his car keys when he’s working on a new novel, and I understand why now. You just have to totally submerge yourself to this massive project and think so big picture that the trivial stuff (such as red lights!) kind of falls away. That was my process, anyway.

Which writer do you most admire and why?
Probably Joyce Carol Oates for her prolificness. She’s written so much – and apparently all handwritten first drafts! I loved Blonde, where she got into Marilyn Monroe’s headspace.
I also love other memoirs, Sarah Darmody, who wrote Ticket To Ride, Lost And Found in America, had me laughing through the night. I couldn’t put her book down.

What inspires you?
Flowers. Frogs. Trees. Nature. My neiece and nephew. My cat. Love. Secret acts of kindness. Travelling. Generosity. People who see the possibilities where some might just see walls…

What are your writing goals for the future?
I want to continue to freelance on topics I enjoy – that’s remained the same – and I want to write a fiction this time, because I never have, so it’s a mystery to me! I also want Love and Other U-Turns to do really well because I think the underlying intention – that we focus too much on the material / physical side of things – is important to society (and especially women!) these days.

Do you have an over-arching message that you would like to communicate through your writing?
A friend of mine helped me sum up my book, and the main lesson I took from the trip with Jim: the world is the church. You don’t need a guru, a deck of tarot cards, or a stack of money or ‘conditions’ to live your dream. The church is what is inside you right now, the beauty of the here and now moment, and once you recognise that, you realise how beautiful your life can be and how much power you really do have to transform every moment / situation into something incredible.

What advice do you have for aspiring writers?
Keep a journal every day, this really helps me find (and keep) my ‘voice’. I write two pages longhand every morning, usually before I’ve spoken to anyone. I got it from The Artists Way and I’ve been doing it for almost 15 years. It also helps you understand patterns and themes and see how/if your writing has improved!

October 18: Events and Opportunities

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Welcome to Events and Opportunities.

This post is the first of a weekly series, which will share various events and opportunities available in the writing and journalism industry. Events will include anything from seminars, talks and festivals to book launches; while opportunities will encompass trainee or graduate jobs, courses, internships and work experience. If you have an event or opportunity that you believe will be beneficial to young people who love to journalism and writing, please don't hesitate to contact us.

Please rest assured that there is no conflict of interest; all of these suggestions are made independently.

Melbourne
October 28 2010
Eric Beecher, Source: The Age
Australia media and marketing website mUmBRELLA will be hosting a breakfast panel which will take questions from the audience, moderated by editor Tim Burrowes.
The panelists are: John Thompson, senior manager for road safety and marketing at the Transport Accident Commission; Clemenger BBDO Melbourne’s MD Peter Biggs; Crikey co-owner Eric Beecher; and Naked Communications’ Melbourne MD Frankie Ralston Good. The breakfast takes place at Kobe Jones Restaurant, on Docklands Drive in Melbourne from 7:30-9:30am. More information here.

This event is ideal for the aspiring novelists amongst us. Spanning the month of November, National Novel Writing Month (also known as NaNoWriMo) challenges participants to write 50,000 words of a new novel in one month. Writers wishing to participate should register on the project's website, where they can post profiles and information about their novels, including synopses and excerpts. Word counts are validated on the site, with writers submitting a copy of their novel for automatic counting. Laura will be participating as of November 14; please feel free to add her as a "writing buddy" (laura_valerie).

Australia Wide
This course is run by the renowned Sydney Writers Center, which has been rapidly growing due to the enjoyment and practicality of their courses. The course only takes a short five weeks and is specifically designed for people who want to learn how to write articles professionally. More information here.

Australia Wide (Melbourne focus)
Young People and the Arts Australia (YPAA) is developing a newspaper publication for a big event in November (in Melbourne). To showcase this publication, they are keen to find some writers who would like to contribute content. If you would like more information, email info@ypaa.net or call (07) 3254 0553 and ask to speak to Imogene Shields (Communications Officer).